![]() ![]() Still, it’s impossible to care about whether Anne ends up with Frederick Wentworth because, as played by Cosmo Jarvis, he is so stiff and uncharismatic. Johnson, and several of the supporting players, manage to hold the film together when the lack of stakes and emotional weight threaten to pull it apart. Johnson doesn’t get to be funny very often-go back and watch “ Fifty Shades of Grey,” if you dare, for a taste of her under-appreciated comic timing-so it’s a pleasure to see her show off that side of her talent again here. Anne jokes that she’s “thriving,” and clearly she is anything but, but she’s so winning in her state of loss that we can’t help but root for her. She also repeatedly breaks the fourth wall, “Fleabag”-style, with an amusingly dry aside or a well-timed eye roll. ![]() There’s lots of drinking red wine straight from the bottle, crying in the tub and lying around in bed, narrating her romantic woes with a familiar, self-effacing wit. Austen influenced “ Bridget Jones’s Diary,” and now Bridget herself seems to have influenced Dakota Johnson’s thoroughly charming portrayal of Anne Elliot. If anything, director Carrie Cracknell’s “Persuasion” achieves an intriguing pop-culture full-circle moment. ![]()
0 Comments
Leave a Reply. |